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dc.contributor.authorJohansson, Mats
dc.date.accessioned2017-10-25T07:53:32Z
dc.date.available2017-10-25T07:53:32Z
dc.date.created2016-08-06T12:53:36Z
dc.date.issued2016
dc.identifier.citationInternational Review of the Aesthetics and Sociology of Music. 2016, 47 (1), 45-62.nb_NO
dc.identifier.issn0351-5796
dc.identifier.urihttp://hdl.handle.net/11250/2462017
dc.description.abstractThrough a discussion of the theoretical and empirical foundations of the concepts of style and genre, this article draws attention to the conceptual dilemmas that emerge when established regimes of musical ownership and production/reception dissipate in the wake of radical changes in how music is mediated. Concurrently, it is noted that gatekeeping institutions are often strongly persistent despite superficial appearances of the contrary. On this basis, the article argues that concepts of style need to be understood in terms of the consolidating authority of certain hegemonic narratives and discourses and their associated (dominant) trajectories of musical practices.nb_NO
dc.language.isoengnb_NO
dc.relation.urihttp://www.jstor.org/stable/43869453
dc.subjectstylenb_NO
dc.subjectgenrenb_NO
dc.subjectpopular musicnb_NO
dc.subjectnordic folk musicnb_NO
dc.subjectcultural diversitynb_NO
dc.subjecttransculturalismnb_NO
dc.titleMaking sense of genre and style in the age of transcultural reproductionnb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionpublishedVersionnb_NO
dc.source.pagenumber45-62nb_NO
dc.source.volume47nb_NO
dc.source.journalInternational Review of the Aesthetics and Sociology of Musicnb_NO
dc.source.issue1nb_NO
dc.identifier.cristin1370800
cristin.unitcode222,43,2,0
cristin.unitnameInstitutt for folkekultur
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode2


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