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dc.contributor.authorRamírez-Orozco, Mario
dc.date.accessioned2012-05-18T08:40:19Z
dc.date.accessioned2017-04-19T12:22:31Z
dc.date.available2012-05-18T08:40:19Z
dc.date.available2017-04-19T12:22:31Z
dc.date.issued2011
dc.identifier.citationRamírez-Orozco, M. La palabra lúdica. Revista Logos. 2011, 20, p. 143-162
dc.identifier.issn0120-6680
dc.identifier.urihttp://hdl.handle.net/11250/2437910
dc.description.abstractErudition as a cultist topic and style, recreated in countless traditional sources, helps Colombian writer R. H. Moreno-Durán to establish a delicate equilibrium between the parodic forms of linguistics research and the recreational contents that reflect the thinking conscience of men and the dialogic sphere of their existence. All these elements are present in his novel, El toque de Diana (Diana's touch) and are conjugated to the theoretical contribution of Mijail Bajtín, and they make it possible to explain the exploration of a fictional legacy that depends on the willful language of its characters to metaphorize the unfinished and multifaceted character of a violent society, in continuous crisis, such as the Colombian society.
dc.language.isospa
dc.publisherUniversidad de la Salle
dc.subjectdialogy
dc.subjectpolyphony
dc.subjectparody
dc.subjectintertextuality
dc.subjectBajtín
dc.subjectdialogía
dc.subjectpolifonía
dc.subjectparodia
dc.subjectintertextualidad
dc.titleLa palabra lúdica: The recreational word
dc.typeJournal article
dc.description.versionPublished version
dc.rights.holder© Copyright The Author. All rights reserved
dc.subject.nsi048


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