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dc.contributor.authorSeiler, Thomas
dc.date.accessioned2021-06-16T09:32:59Z
dc.date.available2021-06-16T09:32:59Z
dc.date.created2020-12-14T13:26:10Z
dc.date.issued2020
dc.identifier.citationSeiler, T. (2020). Snø og samfunnskritikk – Snømotivet i Alexander Kiellands "Sne" (1886) og Jonas Lies "Familjen paa Gilje" (1883). Studia Scandinavica, 24(4), 49-70. https://czasopisma.bg.ug.edu.pl/index.php/SS/article/view/5107en_US
dc.identifier.issn1899-2811
dc.identifier.urihttps://hdl.handle.net/11250/2759728
dc.description.abstractSnow is the principle source of imagery both in Alexander Kielland’s Snow and in Jonas Lie’s Familjen paa Gilje, although it has different tasks to fulfill. Whereas Kielland’s narrator depicts snow as a homogenizing material and as a means to subdue people, Lie’s narrator unfolds a dialectic conception of snow, so that snow imagery becomes ambiguous. It not only functions as a metaphor to illustrate people’s suppression, but it is also linked to the notion of national freedom and progress. In this respect, snow is a key metaphor to depict self-realisation at the expense of community.en_US
dc.language.isonoben_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titleSnø og samfunnskritikk - snømotivet i Alexander Kiellands "Sne" (1886) og Jonas Lies "Familjen paa Gilje" (1883)en_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.description.versionpublishedVersionen_US
dc.source.pagenumber49-70en_US
dc.source.volume24en_US
dc.source.journalStudia Scandinavicaen_US
dc.source.issue4en_US
dc.identifier.cristin1859551
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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