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dc.contributor.authorBunting, Mette
dc.contributor.authorHalvorsen, Torill Aagot
dc.contributor.authorMoshuus, Geir H.
dc.date.accessioned2017-09-13T09:30:42Z
dc.date.available2017-09-13T09:30:42Z
dc.date.created2017-09-12T11:11:33Z
dc.date.issued2017
dc.identifier.citationInternational Journal for Research in Vocational Education and Training. 2017, 4 (2), 146-163.nb_NO
dc.identifier.issn2197-8646
dc.identifier.urihttp://hdl.handle.net/11250/2454472
dc.description.abstractFewer than half of the young people attending vocational institutions in Norway complete their education within the allotted five years. Indeed, many of these students have non-linear paths to completion. However, it is not changes in the dropout rate that make this different from earlier generations but the expansion of formal edu- cation and the rise of the knowledge society and individualisation. The term `tightrope biographies' is used here to encapsulate why individualisation cannot be thought of in terms of choice, because today's youth are often held accountable for their educa- tional progression rather than this progression being viewed as dependent on institu- tional mechanisms. The present study characterises young people as tightrope dancers in their interactions with vocational schools. Selected data collected from ethnographic interviews during the ongoing longitudinal project Youth, Completion and Dropout in Telemark are used here to capture the voices of young people. These data focus on the non-linear educational careers of these youth when they re-enter schools and explore the stories they tell about dropping out and re-entering. These stories suggest that, to succeed, students need customised support throughout the process from school to the workplace and that many depend on this support. The study identifes three different ways of understanding these students as tightrope dancers trying to get back on track, characterising them as The Steady, The Shaky and The Shivering.nb_NO
dc.language.isoengnb_NO
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleThree types of tightrope dance in the comback processnb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionpublishedVersionnb_NO
dc.source.pagenumber146-163nb_NO
dc.source.volume4nb_NO
dc.source.journalInternational Journal for Research in Vocational Education and Trainingnb_NO
dc.source.issue2nb_NO
dc.identifier.doi10.13152/IJRVET.4.2.3
dc.identifier.cristin1492952
cristin.unitcode222,43,3,0
cristin.unitcode222,44,2,0
cristin.unitnameInstitutt for pedagogikk
cristin.unitnameInstitutt for sosialfag
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
Med mindre annet er angitt, så er denne innførselen lisensiert som Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal