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dc.contributor.authorJohansson, Mats
dc.date.accessioned2011-05-04T10:59:24Z
dc.date.accessioned2017-04-19T12:33:47Z
dc.date.available2011-05-04T10:59:24Z
dc.date.available2017-04-19T12:33:47Z
dc.date.issued2009
dc.identifier.citationNorsk folkemusikklags skrifter 2009 (23) s. 34-65
dc.identifier.isbn978-82-7099-550-9
dc.identifier.issn0800-3734
dc.identifier.urihttp://hdl.handle.net/11250/2438136
dc.description.abstractThis article deals with the increasing internationalization and professionalization of Nordic folk music, and raises empirical and conceptual questions concerning style and geographical origin. By examining ongoing trends and musical/stylistic interconnections, the article aims to understand the changing role of the local, the regional and the national in the process of musicians and audiences negotiating artistic identity. This exploration is structured by the following question: is it sensible to speak of an ongoing Nordification of Norwegian/Swedish/Danish/Finnish folk music, and if so, how does this tendency manifest itself in musical practice?
dc.language.isoswe
dc.publisherNovus
dc.subjectfolkemusikk
dc.subjectNorden
dc.titleNordisk folkmusik som stilkoncept
dc.typeJournal article
dc.typePeer reviewed
dc.description.versionPublished version
dc.subject.nsi119


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