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dc.contributor.authorHaugan, Anne Svånaug
dc.contributor.authorKayser Nielsen, Niels
dc.contributor.authorStadius, Peter
dc.date.accessioned2009-02-16T12:09:41Z
dc.date.accessioned2017-04-19T12:22:33Z
dc.date.available2009-02-16T12:09:41Z
dc.date.available2017-04-19T12:22:33Z
dc.date.issued2008
dc.identifier.citationStudia musicologica Norvegica 34(2008), S. 91-109
dc.identifier.issn0332-5024
dc.identifier.urihttp://hdl.handle.net/11250/2437914
dc.description.abstractThis anthology is an introduction to the many-faceted relationship between music – classical, popular and folk music – and nationalism in the Nordic countries in the years 1750–2000. The authors from Norway, Denmark, Sweden and Finland consider, on the one hand, music as a contribution to nationalism and, on the other hand, music as a reflection of nationalism. One of the main points of the article is that the musical nationalism from the beginning was often unintended and was only later made »national« by means of the assessments and acknowledgements of critics and the public. Another point is that nationalism and music is not solely a nineteenth century phenomenon; the years after 1945 have also witnessed new forms of national music, especially popular music suggesting that the relationship between these two aspects is in a state of continuous development.
dc.language.isodan
dc.publisherUniversitetsforlaget
dc.relation.urihttp://www.idunn.no/dispatcher?marketplaceId=2000&siteNodeId=13538962
dc.subjectNationalism
dc.subjectRegionalism
dc.subjectClassical music
dc.subjectPopular culture
dc.subjectFolk music
dc.titleMusik og nationalisme i Norden : en kontingent-konstruktivistisk studie
dc.typeJournal article
dc.typePeer reviewed
dc.subject.nsi111


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